Barkas:Rembrandt Harmensz. van Rijn - Het Joodse bruidje.jpg

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Ringkesan

Rembrandt: The Jewish Bride

Seniman



Jeneng liya	Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
Wedharan	Dutch painter, printmaker lan drawer
Tanggal lair/seda	15 Juli 1606	4 Oktober 1669
Panggon lair/seda	Leiden	Amsterdam
Wektu panggarapan	circa 1625 - circa 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
Panggoné nggarap	Leiden (1620-1624), Amsterdam (1624-1625), Leiden (1625-1633), Amsterdam (1631-1669)
Pengawasan otoritas	: Q5598 VIAF: 64013650 ISNI: 0000000121363802 ULAN: 500011051 Open Library: OL18362A DBNL: rijn017 WorldCat

Sesirah

Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’

Object type

seni lukis

Genre

potret

Depicted people

Iskak Darmo Suwiryo

Tanggal

1662 - 1666

Tengahan

air di atas kanvas

Dimènsi

Tinggi: 121,5 cm; lebar: 166,5 cm

Koleksi

Rijksmuseum Amsterdam

	Nama asli	Rijksmuseum Amsterdam
	Lokasi	Amsterdam
	Koordinat	52° 21′ 36″ U, 4° 53′ 07″ T
	Didirikan	1800
	Situs wèb	rijksmuseum.nl
	Pengawasan otoritas	: Q190804 VIAF: 159624082 ISNI: 0000000121961335 ULAN: 500246547 LCCN: n79007489 GND: 1009452-0 WorldCat

Panggon saiki

Gallery of Honour

Nomèr aksèsi

SK-C-216

Place of creation

Amsterdam

Sajarah obyèk

by 1825: Vaillant (Probably Christiaan Everhard Vaillant (1746-1829)), Amsterdam

1825: purchased by John Smith (art dealer), London, from Vaillant, Amsterdam for 5.000 NLG

2 Mèi 1828 - 3 Mèi 1828: sale of the collection of John Smith at Stanley, London, lot no. 67,, for 420 GBP (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)

Juli 1833 (?): purchased by Albertus Brondgeest from Smith for Adriaan van der Hoop (1778-1854), Amsterdam for 6.825 NLG

1854: bequeathed to the city of Amsterdam, Inventory number SA 8292, by Adriaan van der Hoop, Amsterdam

30 Juni 1885: lent to the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-C-216, by the city of Amsterdam

Exhibition history

Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Amsterdam, 8 Sèptèmber 1898–Novèmber 1898, kat. no. 119.

Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 Juni 1932–4 Sèptèmber 1932, kat. no. 40.

Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdam, 18 Mèi 1956–5 Agustus 1956, Museum Boijmans Van Beuningen, Rotterdam, 8 Agustus 1956–21 Oktober 1956, OCLC 15659340, kat. no. 96.

Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 Sèptèmber 1969–30 Novèmber 1969, kat. no. 22.

Rembrandt-Caravaggio, 24 Fèbruari 2006–18 Juni 2006, Van Gogh Museum, Amsterdam, Cat.no. 29.

Inskripsi

Tanda tangan lan tanggal :

Rembrandt f. 16[..]

Reperènsi

Anonymous, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, circa 1665-circa 1669, Tinggi: 121,5 cm; lebar: 166,5 cm.
Anonymous, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, Tinggi: 121,5 cm; lebar: 166,5 cm.
Anonymous, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, Tinggi: 121,6 cm; lebar: 166,4 cm Anonymous, Bildindex der Kunst und Architektur, object 20186112, as Das Brautpaar (Die Judenbraut), after 1665, Tinggi: 121,5 cm; lebar: 166,5 cm
Anonymous, Web Gallery of Art, as The Jewish Bride, circa 1665, Tinggi: 122 cm; lebar: 167 cm.
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ».

Pengawasan otoritas

Sumber/Pamoto

www.rijksmuseum.nl : Home : Info

Vèrsi liya

File:Rembrandt Harmensz. van Rijn - Portret van een paar als Oud-Testamentische figuren, genaamd 'Het Joodse bruidje' - Google Art Project.jpg
Version from Google Cultural Institution

File:Rembrandt Harmensz. van Rijn - Het Joodse bruidje.jpg

File:Rembrandt La novia judia 1667.jpg

File:Rembrandt - The Jewish Bride - WGA19158.jpg
Version from www.wga.hu

File:Rembrandt Harmensz. van Rijn 042.jpg
Version from 10.000 Meisterwerke der Malerei

Lisènsi

Ini adalah suatu perbanyakan fotografis dari sebuah karya seni dua dimensi. Karya seni tersebut berada pada domain publik karena alasan berikut:

	This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
	Berkas ini telah diidentifikasi bebas dari pembatasan menurut hukum hak cipta termasuk semua hak terkait dan relevan.

Posisi resmi Wikimedia Foundation adalah bahwa "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". Untuk detilnya, lihat Commons:When to use the PD-Art tag.
Oleh karena itu, perbanyakan fotografis ini juga dianggap berada pada domain publik. Mohon diperhatikan bahwa hukum lokal mungkin saja melarang atau membatasi penggunaan kembali berkas ini di wilayah hukum anda. Lihat Commons:Reuse of PD-Art photographs.

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	Tanggal/Wektu	Alang ujur	Naraguna	Tanggepan
saiki	17 Maret 2020 20.15	7.470 × 5.430 (5,92 MB)	Alter Meister	Same source, higher resolution
	22 Agustus 2014 18.11	3.000 × 2.196 (4,28 MB)	Vincent Steenberg	Reverted to version as of 11:20, 18 March 2012
	22 Juli 2014 15.36	7.088 × 5.188 (7,66 MB)	Vincent Steenberg	higher resolution
	18 Maret 2012 11.20	3.000 × 2.196 (4,28 MB)	Crisco 1492	Higher resolution, same source
	1 Mèi 2008 11.23	1.600 × 1.153 (254 KB)	BoH	{{Painting\| \|Title={{nl\|Portret van een paar als Oud-Testamentische figuren, genaamd 'Het Joodse bruidje'}}{{en\|Portrait of a couple as figures from the Old Testament, known as 'The Jewish bride'}} \|Technique={{nl\|}} \|Dimensions=121,5 × 166,5 cm \|Locatio